Wow, new music from Guru and 7 Grand Records, entitled Never Sell Out: The Final Verses, available now, only eight days after his death. Don’t support this, people.
Back in the 90s, “beat tapes” were literally that: cassette tapes of beats that a producer made either for himself, friends, or potential collaborators. Madlib made a bunch of them in the days between his early productions for the Alkaholiks (circa ’92) and the release of his Quasimoto album (2000), after which he took a couple of years off of the beats to focus on making jazz music before beginning a new era of hip-hop with Madvillain, Jaylib and Beat Konducta.
This collection of beats showcases the way that Madlib’s early hip-hop demos were filtered out to his crew of friends and associates, providing an opportunity for a unique view into Madlib’s working process. These beats, often freestyled on SP1200 or whatever machine he had at the ready, were picked up by rappers over a period of many years. Trainspotters will find it interesting that beats later destined for the likes of Wildchild and Percee P were made some years before those albums saw release.
This album is punctuated with a series of early solo-raps by Madlib and his Quasimoto alter ego and features the crew known collectively as CDP – those rappers who worked side by side with Madlib during the days of his Oxnard CA-based “Crate Diggas Palace” studios. The Madlib Medicine Show series is a combination of Madlib's new hip-hop productions, remixes, beat tapes and jazz, as well as mixtapes of funk, soul, Brazilian, psych, jazz and other undefined forms of music....Copp this now @ http://StonesThrow.com
Young Black Teenagers (YBT) was an early 1990s rap group consisting of Kamron, First Born, ATA, Tommy Never, and DJ Skribble. Despite their name, none of the group was black. They intended their name as a tribute to the black culture they were influenced by, but some thought their name offensive or ridiculous.
YBT had the support of the prominent rap group Public Enemy and their producer Hank Shocklee signed them as the first act of his label Sound of Urban Listeners (SOUL). They released their second album with MCA Records.
Their debut album Young Black Teenagers (1991) featured the singles "Nobody Knows Kelli" (about the character Kelly Bundy from the sitcom Married With Children), "Proud to Be Black", and "To My Donna" (an attack on Madonna for taking the rhythm track of the Public Enemy song "Security of the First World" for her single "Justify My Love"). After the first album, Tommy Never inexplicably left the group, and YBT became a foursome, with A.T.A. contributing more vocally. Their second album, Dead Enz Kids Doin' Lifetime Bidz (1993), featured the song "Tap the Bottle", their biggest single. The band did gain some publicity (albeit not necessarily positive) for the song "Time To Make The Dough Nutz", as it contained a sample of Rush's 1981 hit "Tom Sawyer", angering many devoted Rush fans, even though YBT insisted it had been meant as a tribute.
YBT were listed among VH1's "Least Hiphop Moments", where they were overtly ridiculed for their overall name and premise.
After "Tap The Bottle" became their only worldwide hit, YBT called it a day in 1994....Enjoy!!! Loud & Hard to Hit
Nike has successfully reinterpreted some of their classic models in the last few years by updating well-known silhouettes with high-tech materials. In this updated Air Maxim 1+, the lightweight, breathable torch material is employed on the collar and toe portions, while the durable flywire adorns the midfoot. Last year, we got the chance to see this model in the original blue and red colorways, and we can see that on this model the material above the midfoot is soft, and it replaces the suede of the older molds. This simple and direct styling is a indicative of the strides Nike’s has made to preserve their heritage and stay on top of the performance elements as well...Coming Soon!